by Grainne Carroll,
Ceara McGovern, Rachel Toomey, Declan
Tuite
Chromaphonics is an interactive music environment in
which the user is encouraged to experiment with music and
images in different ways. The aim of the project is to
allow anyone who is interested in music to become part of
the creative process. Even if youâve never played a
musical instrument you can pull levers and play with
images on screen to make music. The project is composed
of three sections: text, pattern and atmospheric. An
extract from James Joyceâs Ulysses forms the
basis of the text section, a playful experimentation with
rhythm and speech. In the pattern area, you are
encouraged to alter aspects of the music being played, in
correspondence to the shape and colour of images on the
screen. Travel through a seashell into the atmospheric
section. Here you can interact with visuals to play music
in either the dark urban section or the light natural
section.
The levers are attached to a set of 10k
linear potentiometers. An I-CubeX converts the
voltage into usable MIDI information. This MIDI signal is
then sent onto a Macintosh running Opcodeâs MAX. The
I-CubeX/Max combination offers realtime results, no
waiting for files to load or multitasking delays. The
user can control various characteristics of the music
with the levers. Along with tempo and note lengths the
user can take a step into FM synthesis. In this way the
number of variations available to the user are greatly
increased. The levers move through 190 degrees, offering
a true feeling of fine-tuning and participation. Within
each section of the project the levers offer different
traits of the music that can be edited and played with.
The levers hold to certain classes. The lever that
controls tempo in the text section controls note length
in the atmospheric section allowing the user to play
their piece staccato or legato, both coming under time
related change. Another lever, which is used for distance
control, dictates low frequency / reverb content in one
section and performs delay and brightness function in
another. The levers lend themselves to a form of
interaction, which offers several advantages over mouse
and keyboard combinations. Each lever has a different
texture and coloring. This, along with the action of
pulling and pushing the levers, taps into emotive and
trans-modal forms of perception, reasoning and recall.
The levers it is hoped will form a more intuitive form of
control, freeing the mind from endless menus and toolbars
and allowing it to concentrate on the creation and
response of music.
Chromaphonics is a production for the Douglas
Hyde gallery exhibition as part of the MSc. in multimedia systems at Trinity
college, Dublin, Ireland.
22 september 1999 |